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The program 鈥� called 鈥� is a new institute hosted by the University of Hawai驶i at M膩noa鈥檚 , in partnership with the , made possible by a .

Selected by a peer-review panel to be part of the inaugural class of 20 students are UOG senior anthropology major Tyler Warwick and Micronesian Studies graduate student Nicole DeLisle Due帽as.

The cohort began the program virtually on Jan. 24.

Centralizing indigenous knowledge in museum work

The institute participants include students and early- to mid-career museum and cultural center workers and curators indigenous to Saipan, the Marshall Islands, Palau, Hawaii, Samoa, American Samoa, Kiribati, Fiji, New Zealand, Papua New Guinea, and California.

鈥淭he enthusiasm has been overwhelming, but we are most excited by the selection of our cohort, which represents the depth and diversity of our Oceanic communities,鈥� Project Director Noelle Kahanu said. 

Due帽as said the institute provides an important opportunity to connect with others in the Pacific toward the goal of centralizing indigenous knowledge in museum work.

鈥淸Many] indigenous Pacific collections are associated with histories of colonization and the appropriation or recontextualization of our sacred cultural objects and ancestral remains,鈥� she said. 鈥淭his program is important because it [鈥�] brings people from Oceania together to determine ways museum work can shift from its colonial underpinnings to bringing indigenous stewardship and ownership back into the picture and into practice.鈥�

With an interest in indigenous histories and stories of the Mariana Islands, Due帽as has previously worked for the Guam Museum in educational programming and community outreach and has also worked with Humanities 骋耻氓丑补苍 on humanities-related cultural projects. She is presently writing her master鈥檚 thesis on early colonial anthropology and archaeology in Guam.

Learning to care for crucial pieces of culture

Warwick is currently learning to build traditional canoes and a traditional canoe house in Saipan under the tutelage of John Castro and master canoe carver and navigator Antonio Urmeyang Piailug under the Seafaring Traditions Program of the Commonwealth Council for Arts and Culture. He applied to the museum institute to learn skills to preserve cultural artifacts, create proper exhibits, and network with those doing similar work in the Pacific.

鈥淭his [institute] is important because it allows us to learn the proper ways to protect and care for artifacts that are valuable and crucial pieces to our culture as they each hold a piece of our history,鈥� Warwick said.

He added, 鈥淭his institute will provide the necessary tools in learning the proper ways of working in a museum as well as bringing a connection between the cultural preservation of our artifacts and the living cultural heritage that exists in our community.鈥�

Warwick and Due帽as will be in the museum institute virtual until July, when they will join the rest of their cohort at the East-West Center in Honolulu for a four-week, in-person culmination of the program.